The Process Behind Excellent Interiors : Insights From Bangalore’s Top…
The Process Behind Excellent Interiors : Insights From Bangalore’s Top Designers A client once asked…
A client once brought me a photo of her grandmother’s old house in Thanjavur and said, “I want my flat to feel like this.” Then in the next breath she said, “but I still want my modular kitchen, I’m not giving up my washing machine niche, and please no cow dung flooring.” I laughed, because that’s basically the brief nine times out of ten. People don’t actually want to recreate an ancestral home inside a Bangalore high-rise. What they want is for their flat to stop feeling like it could belong to literally anyone in the building. They want it to feel like theirs, rooted in something, without giving up the convenience they’ve gotten used to.
That balance is trickier than it sounds, mostly because people tend to overcorrect one way or the other. Either they go full minimal and the home ends up looking like every other apartment on their floor, or they go all in on traditional elements and the living room starts resembling a prop room for a period film. The homes that actually work sit somewhere in between, and getting there is less about buying “traditional” furniture and more about being selective with where you spend the visual weight.
Here’s how I actually approach this when a client wants that South Indian warmth without losing the practicality of a modern flat.
Most apartment doors are the same flush, factory-finish door regardless of what building you’re in. It’s forgettable, and that’s exactly why it’s a good place to start. A solid teak door with carved motifs – lotus, kalash, whatever resonates with the family – immediately signals that something different is happening the moment someone walks in. If replacing the whole door isn’t practical, which is often the case in rented flats or societies with strict guidelines, even a carved wooden lintel panel above the existing frame does a lot of the work.
I also like recreating a small version of the Thinnai – that semi-outdoor seating verandah you’d find in older Tamil Nadu or Kerala homes – in the foyer. Obviously you’re not building an actual verandah in a flat, but a built-in wooden bench or a compact carved diwan near the entrance gives that same feeling of a welcoming threshold rather than just a door that opens straight into the living room.
This is where I see people go wrong most often – they buy statement furniture before fixing the base palette, and the room ends up fighting itself. Before anything else, look at your color scheme. Most modern flats default to stark whites, greys, and cool tones because that’s what shows well in a builder’s sample flat. That palette actively works against a traditional look. Warm terracotta, ochre, mustard, brick red, sandalwood beige – these tones do more to set the mood than any single piece of furniture will.
If you’re open to it, Athangudi tiles from the Chettinad region are worth considering for a smaller zone – the foyer, a balcony accent wall, or the pooja area. They’re handmade, a bit imperfect in the best way, and instantly read as regional rather than generic. You don’t need to tile your whole flat in them. Even a small patch does the job.
An Oonjal – that traditional wooden or brass swing – is probably the single most requested piece I get asked about for this look, and honestly, it earns the hype. Hang one in a corner of your living room and it changes the entire character of the space without you needing to touch anything else in the room. But this is exactly where the “less is more” rule matters most. One Oonjal, done well, does more than an Oonjal plus a carved pillar plus a cane sofa plus a Petti chest all crammed into the same living room.
If a full Oonjal feels like too much of a commitment, plantation chairs with cane seating or an old wooden chest repurposed as a coffee table are gentler entry points. They bring in that breathable, tropical furniture feel without turning the room into a themed set.
I’ve walked into so many modern flats where the pooja space is a leftover corner nobody planned for – usually squeezed under a staircase or into a shallow wall niche. In a traditional South Indian home, the pooja space was often the most carefully considered part of the house, not the last. If you’re serious about this look, give the mandir some actual design attention. A custom wood or marble unit, a bit of gopuram-style detailing on top, and a backlit jali panel behind it turns what’s usually an afterthought into one of the most beautiful corners in the home. Even a small brass bell at the entrance to the unit adds more character than you’d expect from something so small.
If wood is the backbone of this style, brass is what makes it glow. A brass Uruli filled with water and a few marigold or lotus petals at your entrance is such a simple addition, but it changes how the whole entryway feels the moment you walk in. Standing brass lamps near the pooja room, a few small bronze idols on a floating wooden ledge, a hanging Thooku Vilakku in a reading corner – none of these need to be expensive antiques. Even newer pieces, chosen well, carry that same warmth.
A Tanjore painting with its rich colors and gold leaf detailing makes a genuinely striking focal point, but it needs a plain, neutral wall around it to actually stand out. I’ve seen people place a Tanjore painting on a wall that’s already busy with other frames and shelves, and it just gets lost in the noise. Same with Kerala murals – pick one wall, ideally in the dining area or hallway, and let it be the moment. Everything around it should stay quiet.
If you’re not ready to commit to furniture or wall changes yet, start with textiles. Kanchipuram silk borders repurposed as curtain trims, Pochampally ikat cushion covers, Mangalgiri cotton table runners – these are low-commitment ways to bring in that regional texture without touching the structure of the room at all. In the bedrooms, simple khadi bedcovers with block prints do the same job in a quieter, more personal space.
Traditional South Indian homes were built around open courtyards, which obviously isn’t something you can replicate in a high-rise flat. But you can borrow the feeling of it. A balcony filled with terracotta pots and a jute rug does more for that “connected to the outdoors” feeling than people expect. If your living room has a spare corner, an Areca palm or a Tulsi plant in a terracotta planter brings in a bit of that same open, breathing quality.
You can get every material choice right and still have the room feel cold if the lighting is wrong. Stark white LED panels undo a lot of the warmth you’re trying to build. Switch to warm yellow-toned lighting, especially in the living and dining areas, and consider a dedicated diya corner – a small brass oil lamp on a carved side table catches light beautifully in the evening and costs almost nothing to set up.
Don’t try to do everything on this list in one room. That’s the mistake I see most often – someone gets excited, reads about Oonjals and Uruli bowls and carved pillars, and tries to fit all of it into one living room. The result ends up feeling cluttered rather than rooted. Pick a couple of anchor pieces per room and let the rest of the space stay calm around them. The wood, the brass, and the handloom textures should be doing the talking – not the sheer number of traditional objects you’ve managed to collect.
This kind of home doesn’t happen overnight, and honestly, it shouldn’t. The nicest versions I’ve seen came together slowly – a piece added here, a wall repainted there – rather than all at once. Start with the entrance and the color palette, live with it for a bit, and add from there.
It depends heavily on what you choose. A full custom pooja unit or a solid teak Oonjal can be a real investment, but small changes like a warm color palette, a brass Uruli, or handloom cushion covers cost very little and still make a noticeable difference. You don't need to do everything at once.
Yes, largely. Fabrics, brass accessories, a small pooja unit, plants, and lighting changes are all reversible. Avoid anything that involves altering the door, flooring, or walls structurally if you're renting, and lean instead on furniture and decor you can take with you later.
Not if you're selective. The idea isn't to replace your modern furniture entirely, but to introduce a few traditional pieces or textures that stand out against a neutral, contemporary base. A cane chair or a carved side table often works better next to modern furniture than surrounded by more traditional pieces.
Stick to one or two statement pieces per room and let everything else stay minimal around them. If a room feels busy the moment you walk in, it's usually a sign there's one traditional element too many competing for attention.
Color palette and lighting. Warm tones and softer, yellow-toned lighting change the mood of a room more than people expect, and neither requires any construction or major spending.
Not necessarily. Many homes blend elements from a couple of South Indian regions comfortably - a Kerala mural alongside a Chettinad-inspired floor accent, for instance. What matters more is keeping the overall palette and material choices consistent, rather than sticking rigidly to one region.
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